Saturday, October 29, 2016

Hytera Awarded Multi Million Dollar Contracts in Dominican Republic

Hytera are the fastest growing radio country this year, they have opened offices all over the world and are taking market share from Motorola. When you look at their Hytera radio earpieces, Chargers, repeaters, hand portables and base units they are of an excellent standard and quality. That is probably why the Dominican Republic was persuaded to use them for two big projects.

Hytera, a world leading solution provider of Professional Mobile Radio communications, was awarded two projects by the Ministry of the Presidency of Dominican Republic. In order to establish a nationwide emergency response network for National Emergency Care System and Security 9-1-1 (Sistema Nacional de Atención a Emergencias y Seguridad), Dominican Republic government selected TETRA (Terrestrial Trunked Radio) technology for mission critical communications, and launched two public tenders at the end of 2015; one is to cover two cities, Haina and San Cristobal, adjacent to the capital city Santo Domingo, with 5 sites and 528 terminals, while the other is to cover Santiago, the second largest city of the country, with 30 sites and 2,155 terminals.



The existing TETRA network in the Santo Domingo area was delivered also by Hytera as a result of a contract awarded by Dominican Republic's Ministry of the Presidency in 2013. The project includes several components: the 911 system, a camera surveillance system and the communications infrastructure with its respective terminals which was awarded to Hytera. “The system in Santo Domingo offers reliable communication services to the public safety forces, and it is a very good testimony of Hytera’s solutions and supports,” said Fernando Camelo, regional director of Hytera international business.

“Dominican Republic government officials have spent a lot effort to choose the right technologies for its public safety forces. Obviously, TETRA has been widely adopted and proved. We are proud to be part of the initiative of building a united nationwide mission critical communication system for the country,” commented Ming Kam Wong, deputy general manager of Hytera international business.

The TETRA digital standard as a global open protocol provides secure, encrypted communications for mission critical operations as well as promoting a more efficient use of spectrum. More than 750 interoperability (IOP) certificates have been awarded to more than two dozen manufacturers by the TETRA + Critical Communications Association (TCCA), the governing body, globally, for the TETRA standard.

Source - http://www.businesswire.com/news/home/20160912005706/en/Hytera-Awarded-Multi-Million-Dollar-Contracts-Dominican

Wednesday, September 28, 2016

Intel Made A VR Headset And It's Totally Cord-Free

Intel just announced its own virtual reality headset called Project Alloy, a VR competitor to the Oculus Rift,HTC Vive and the forthcoming PlayStation VR headsets. But what separates the Alloy from the pack is that it’s completely wireless (the wire above is for capturing video for the demo) and it should give you complete spatial awareness without all the dongles the Rift and Vive currently require.



It does this using two of Intel’s RealSense cameras to continuously map your environment. It can even map your hands.

Intel calls the idea “Merged Reality”, essentially combining inputs from cameras around your environment into a virtual world. And Intel was able to pack everything â€" the processor, sensors and controllers â€" into one cord-free headset.

During Intel’s demo, however, the RealSense camera didn’t seem quite as fluid as you’d hope, especially if it’s your primary means of reacting to the digital world around you. Intel says that its hardware will be open source in the second half of 2017 (ugh), so the headset won’t be available anytime soon. Intel is also working with Microsoft so Alloy can run Windows Holographic, the software which powers Hololens, according to Microsoft’s Terry Myerson. Microsoft says that Windows Holographic will also be released in an update for all Windows 10 PCs next year.

Source - http://www.gizmodo.com.au/2016/08/intel-made-a-vr-headset-and-its-totally-cord-free/

Thursday, September 22, 2016

Those New Tracks You’re Listening to Are About to Sound Much Better

SO you’re walking down the street and suddenly the music kicks in, you drop to the ground and pull your earphones out of your ears! “what just happened” you think, then you realise the un-pause on the mp3 has just kicked in and you forgot to turn it down. Well people this will be a problem of the past with these earphones, Now all I need them to do is make coffee. VERY IMPORTAN You can find the original article here

What’s been your favorite set this weekend? Or the best new track you’ve shared with all of your friends? Well take that track and imagine listening to it in exactly the way your ears want you to.

Even earphones, who tune themselves to each person’s particular hearing. At just under $100, they customize the sounds they play to suit your own audio needs. They use their own EarPrint technology that measures how you hear different frequencies, then sets the earphones to play back sound specifically for each ear. As a result, the headphones give you a profile tuned to your own ear (each ear with its own profile).

One of the biggest things that originally drew me to the earphones was the fact that they are not a pre-order campaign â€" they have physical earbuds available now. The company, who launched in in June, has sold out batches twice thus far and are continuing to take orders on their website. Luckily, I was able to get my hands on a pair to try out as well.

I’m pretty picky about the gadgets I use for audio, as I’m constantly listening to music â€" digging for new sets on Soundcloud, reviewing new tracks, jamming out in my own world. Being able to plug in and listen to my own music is what allows me to focus and, as a result, I’m very specific about the type of earphones or headphones I use. That being said, I was overly ecstatic when I was handed a pair of Even earphones to try out.

First, their appearance: the cords are a high-quality string that have a smooth look and feel. The buds look sleek, with a simple black-and-white color scheme â€" one black, one white, with the EarPrint device hanging at the middle of the cord, meant to dangle at your chest. They don’t tangle easily, which makes them easier to carry without having to worry about dealing with knots. They’re the type of earphones I wouldn’t mind wearing out in public.

Next: the sound test. This is where we meet “Sarah,” the soothing female voice that guides you through a number of sounds to test where your hearing level is at. This test was very straightforward â€" Sarah literally starts by saying “Hi, this is really easy” â€" and felt very conversational as she talked you through each noise. Five pieces of music are played for each ear, and you’re required to hit the button once you hear the sound. Though the process takes a little bit longer than I’d like, it’s seamless.

Overall quality of the listening experience was great. I switched between my Bose over-ear headphones and the Even earphones to test the difference in sound quality and worked to try a few subgenres of electronic music to see how each would sound between both pairs. I started off by listening to Louis The Child’s set from Lollapalooza this year and instantly found that the vocals were much more emphasized than in my Bose headphones. Next, I moved on to Mikey Lion’s live set from Desert Hearts 2016 and loved the emphasis on the bass I was hearing â€" the Even earphones made it much more of an all-around experience. I then switched over to Troyboi’s tracks Do You? and O.G. to continue to test this bass theory and, again, Even delivered.

As my hearing is likely damaged based on the amount of festivals and shows I’ve attended over my lifetime, it was much appreciated that the earphones were able to pick up on the frequencies I have more trouble hearing to create the full experience tracks deserve. Interestingly enough, every time I switched back to my Bose headphones to compare, I had to turn the volume down because it came at full blast and was overwhelming â€" and, when I did, the clarity between vocals and bass was lost. All in all, these babies pack a punch with their sound quality when it comes to electronic music.

It’s refreshing that these earphones don’t require using an app, since that seems so commonplace nowadays. All of the information that goes into your profile is saved in the little box hanging onto the string, so you can plug them into any device â€" phone, laptop, iPod, whatever you want â€" and still have your own profile saved. I found this extremely helpful, as it meant that I don’t have to re-adjust my volume based on what device I’m using. Beyond that, it’s a refreshing change from listening to sets with friends and having to change the volume based on everyone’s sensitivities. It makes listening much simpler and, quite frankly, electronic music better. How could you say no to a custom-made, surround-sound system in your own ears?

To get you started, here a few sets, old and new, you may enjoy listening to in the earphones (ok, to be fair, these are sets that I would want to hear in them):

 

Sunday, September 18, 2016

What Walkie Talkie Channel Can I Use

You may get confused about various types of walkie talkies on sale in the UK, or not be certain what type of walkie talkies you require, and what you’re legally allowed to use in some other countries that you plan to visit, or in your part of the world. Firstly, it is important to have in mind that any type of walkie talkie will function in any part of the world.

A walkie talkie is used on a channel that has a frequency associated with the walkie talkie. In other words, if a channel has a frequency different from that of a walkie talkie, then the two will not work together.

License Free Walkie Talkies

There are 446 license-free frequencies that can be used for leisure radios such as, Motorola talkabout, Binatone and Cobra radios. However, there are eight PMR466 frequencies or PMR466 channels that can be used.

The spacing between each of these frequencies is 12.5 kHz. As the system name suggests, PMR446 frequencies are located around 446MHz and are in the UHF segment of the radio range.

Even though they are not necessarily authorized, PMR446 frequencies are harmonized for use across European countries.

High level use of PMR446 frequencies may result in some annoying problems. However, these can be reduced or rectified by changing the frequency of the PMR446. Other systems such as DCS codes and CTCSS tone can as well help in alleviating the problems.

In view of the possible high use of the frequencies and the PMR446’s unlicensed nature, the scheme is not appropriate for individuals who need to gain access to frequencies at specific times and locations or for life use.

These are simple, short-range walkie talkies that conform to the European Union-wide PMR446 standard and can be used by any person in the United Kingdom or European Union without a license. These types of radios are commonly sold in High-Street shops as well as in most radio outlets.

Commonly known as "PMR446s” radios that meet these standards usually have a power output of 0.5watts, meaning that their range is lower compared to the powerful business walkie talkies that are a licensed and which feature power outputs of 4-5 watts. All of them make use of the same eight channels and this causes problems sometimes if a given area has a lot of radio users using these channels.

Licensed Walkie Talkies



Two Way Radio for Business

Licensed handheld walkie talkies can have a power output of 5 watts, but "license free" PMR446 walkie talkies can only have 0.5watt power output. Therefore, the licensed walkie talkies usually have a better signal penetration and better range in buildings.

A majority of businesses prefer using a licensed 2-way walkie talkie system because, in spite of the benefits of license free walkie talkies (PMR 446), they have some downsides (like lower power, a short range and interference) which make them less effective than licensed business radio systems.

Taxi as well as other transport companies, and large sites like factories or hospitals, and businesses situated in a number of different locations are excellent examples of circumstances where a licensed radio system may be a favored option.

These situations require more powerful radios as opposed to hand-held portable walkie talkies with low frequencies. If the system of your radio relies on vehicle-mounted radios or a base station, a licensed radio system is necessary.

Ofcom

If you want start using a radio system in your business, then you will have to get a license from Ofcom. In other words, Ofcom is a company that controls who can transmit on what frequency and where, to ensure that different users don’t interfere with each other.

Business radio system users range from factories and taxi companies, to industrial sites, hospitals, transport operators and care homes. To begin Ofcom’s licensing process there are a number of requirements that a business must first of all fulfil.

Ofcom license is especially important regarding official radio users like police, military, railways, air traffic control and emergency services, railways, etc. Radio systems that meet specific standards can be used without any license from Ofcom. For many walkie talkie users, license free radios will be okay. And if you are in need of a license, it isn’t that expensive or complicated to get one.

The UK simple license is a license issued by Ofcom and gives holders the right to use more powerful radios. It is effectively a license to use powerful radios any place in the UK, using give frequencies which are shared by anyone using this license. This license is easy and quick to apply for, costs about £75 per organization, and is valid for 5 years.

It is the only option for people who need to use their radio systems anywhere in the United Kingdom, and is ideal for most business radios users.

Geographic License

This license provides you with specific frequencies or frequency allocated just for your organization’s use within a given geographical area. The cost of the license varies from moderately cheap in most locations in the UK (about £100 annually), with the cost heightening in key cities, more so London, where the demand for radio frequencies is very high, going for up to more than £500 per year.

Radios that are designed to use dedicated frequencies such as this, should not be used outside of the licensed area, since the same frequency will possibly have been assigned to somebody else and you will therefore be causing interference to them.

UK Business Radio Suppliers License

This is a license for hire companies and radio equipment suppliers. It allows these companies to do short term radio hire via a set of frequencies allotted to radio hire companies. It also allows these companies to provide ‘demo’ radio systems to potential customers and to undertake repairs to radio systems.

When these companies hire out their radio equipment, it’s hired using this license, so that the person hiring it does need to worry about licensing issues.

Summary

The importance of walkie talkies and radios in the UK and other parts of the world cannot be overlooked. Not only are these gadgets important in everyday communication, but they continue to play a very crucial role in the development of other communication tools. A lot of useful information about radios and walkie talkies has been highlighted in this article for the benefit of radio users and the public in general.

Thursday, June 9, 2016

Farewell, Faithful Steed: Veteran Actor (and Sometime Fashion Icon) Patrick Macnee Dies, Aged 93

Patrick Macnee, the actor best known for his work on TVs The Avengers has passed away. He was 93 years old.

Macnee was born in London, England in 1922. His father trained racehorses and was noted for his keen fashion sense, whilst his mother was a niece of the Earl of Huntingdon (which may even have made Patrick a descendent of Robin Hood!). However, such privileged beginnings proved to be only deceptively comfortable for the young Macnee, who saw his father drink and gamble away the family fortune, before leaving the country for India, while Macnee lived with his mother and her Lesbian lover Uncle Evelyn Spottswood. The pair attempted to dress the young boy up as a girl, but settled for a kilt instead, which was how Macnee was dressed every day until he was eleven years old.

Spottswood paid for Macnees schooling, which included boarding school from the age of five, a preparatory school (where he acted alongside a young Christopher Lee in a production of Shakespeares Henry V) and ultimately a spell at Eton, where he joined the schools dramatic society. Eventually however, Macnee was quietly expelled from the school after he instigated a gambling ring and was then caught selling erotic photography and whiskey to his fellow pupils.

By this time though, he had already been bitten by the acting bug and so decided to pursue a career in the performing arts.

Before he could make his West End debut, the young actor was called up for National Service. It was 1942 and World War 2 was in full swing. He began his military career in the Navy as an ordinary seaman, before progressing to sub-lieutenant. Fortunately, a nasty bout of bronchitis caused Macnee to miss the D-Day landings, where the ship he was serving aboard was destroyed and the entire crew killed. He was ashamed of not being present at the battle for the rest of his life. Macnee was demobilized in 1946 with the final rank of lieutenant.

Patrick Macnee learned his craft via a number of small roles, appearing in The Life and Death of colonel Blimp in 1943 and portraying a Spear Carrier in Lawrence Oliviers 1948 production of Hamlet (alongside an uncredited Christopher Lee), amongst other assorted roles. However, as the years passed and his big break failed to arrive, Macnee became depressed and frustrated by his lack of progress.

Eventually, he decided to leave the United Kingdom for Canada, making the difficult decision to leave his wife and two children behind in the process. He arrived in Toronto with just £10 in his pocket. In Canada, Macnees eccentric Englishness made him a genuine novelty and his career began to pick up somewhat. He explored producing and, as an actor, appeared in over 30 televised plays, before finally hearing about a new television series in development called The Avengers.

In The Avengers, Macnee played the unflappable British secret agent John Steed from 1961 to 1969, before reprising the role for 1976 - 77s The New Avengers. Both the series and the character would become an iconic part of British popular culture, creating a legacy that endures to this day. The show made Macnee an international star and proved to be his finest hour as an actor.

The character of John Steed first appeared in The Avengers pilot episode Hot Snow (1961). Here, he was depicted as being an assistant to Dr. David Keel. When Ian Hendry, who had played Dr. Keel, quit the show later that year, Steed became the central character and was partnered with a series of crime fighting accomplices, namely Dr. Martin King (Jon Rollason), Venus Smith (Julie Stevens) and finally Cathy Gale (played by future Bond girl Honor Blackman).

As the series progressed, Macnee extensively re-designed Steeds wardrobe, furnishing his character with the now iconic look of bowler hat, Saville Row suit and gentlemans umbrella. Of course, these garments came to be tricked out with various spy gadgets as the series went on.

It was Steeds debonair, quintessentially British wardrobe that helped the show to become so successful both at home and overseas. In fact, the clothes were so iconic that in France The Avengers is known as Chapeau Melon et Bottes de Cuir â€" Bowler Hat and Leather Boots.

Macnee also decided early on that Steed should never carry a gun. In later interviews he stated that he was sick of firearms after experiencing “a war in which Id seen most of my friends blown to pieces”.

Besides, a pimped-out brolly is waaaaay cooler.

In 1965, Steed was paired with his most iconic partner (and best, but Im biased since she was my childhood crush) Mrs. Emma Peel. Portrayed by Diana Rigg, Mrs. Peel (designed to have man appeal â€" hence the name) was smart, self-assured and supremely confident. In a unique twist, Peel often acted as Steeds muscle, being by far the more physical of the two characters. Although he frequently rescued her from harm, their relationship was truly a partnership of equals, making Mrs. Peel, secret agent, martial artist and chemistry genius, a genuine pioneer among female heroines. Macnee was always proud of the strong, positive female characters that were so prominently featured in The Avengers.

Rigg left the series in 1968 and promptly followed her predecessor into the James Bond franchise, while Macnee was partnered with Linda Thorsons Tara King until the series demise a year later in 1969.

ITV revived the Avengers concept in 1976 and Macnee starred alongside Joanna Lumley (Purdy) and Gareth Hunt (Gambit). The show ran for two series, but, despite a positive reception, was scrapped in 1977 due to financial problems.

Away from The Avengers, Macnee appeared in the James Bond film A View to a Kill (1985) and the classic Rock n Roll mocumentary This Is Spinal Tap (1984), where he portrayed Sir Dennis Eton-Hogg, the somewhat sanctimonious president of Taps record company. He also played Dr. George Waggner in 1981s cult favourite The Howling.

In 1998, Hollywood made a disastrous attempt to revive The Avengers. The movie starred Ralph Fiennes, Uma Thurman and Sean Connery and Patrick leant his support in the form of a voice cameo. However, without the twinkle, wit and class of the original John Steed, the idea was doomed to failure.

Finding himself in the enviable position of being a pop culture icon, Macnee was asked to appear in music videos for The Pretenders and Oasis amongst others. He also contributed vocals to a novelty single Kinky Boots with Honor Blackman that was issued three times, the first in 1964, the second in 1983 and the third in 1990, where it eventually became a top 3 hit.

As a television actor, Macnee appeared in such memorable shows as The Twilight Zone, Rawhide, Colombo, Frasier, Battlestar Galactica, Murder, She Wrote, The Love Boat, Magnum P.I, Diagnosis Murder, The Littlest Hobo, Alfred Hitchcock Presents and many others. He even played Dr. Watson alongside Christopher Lees Sherlock Holmes.



In later life, Macnee became a nudist. After an infancy spent in a dress, a childhood in a kilt and an adulthood in the finest suits money can buy, why not spend an old age in the nip? For a style icon that brought the suave and stylish John Steed to life with effortless grace, charm and virility, one supposes that it must have felt like the next logical step.

R.I.P Patrick, you will be sorely missed.

Wednesday, April 20, 2016

Depicting as a method of communication

This is an interesting review of a paid article, depicting which is represent by a drawing, painting, or other art form can be used as a form of communications, the type of depicting is described here in many different forms and that is where we will allow the article to take up the story.

When we think of language, we usually think of words, phrases, and sentences--strings of abstract symbols. In research over the past 50 years, cognitive and social scientists have developed extensive accounts of how people communicate with these symbols. But when people are face to face, they also communicate with actions that depict people, objects, and events. They create these depictions with their hands, arms, head, face, voice, and entire body, sometimes with other props but often without.

In an article recently published Online First in Psychological Review, Herbert Clark argues that spontaneous depictions like these are missing from general accounts of how people communicate, and that is a major failing. Why? Because depicting is common in everyday conversation and depicting things is fundamentally different from describing things. Also, a great many utterances are "composites" of depicting and describing.

Clark's point is nicely illustrated in a report, from the New Yorker, of Hollywood director WG telling correspondent TF about having to stop filming in New York because of some falcons nesting on the ledge of a building:

"In L.A., they would have--" He leveled a finger at some imaginary nestlings and made a gun-cocking sound.

As Clark notes, WG could easily have described the scene with the phrase "shot those falcons." What he did instead was depict the scene with his finger, hand, head, eyes, and voice. The result included a depiction (leveling a finger and making a gun-cocking sound) in place of the phrase "shot those falcons." Traditional accounts are unable to handle composites like this.

What is depicting? In the theory developed in this paper, to depict something is to stage a scene. When WG leveled his finger at the imaginary falcons, he enacted a shooter in L.A. aiming a rifle at some falcons. And he did that so that his listener could imagine the scene vividly. Depicting is much the same as putting on a play in the theater or engaging in make-believe play.

Depicting, according to Clark, is largely complementary to describing. To begin with, many ideas that are impossible to put into words are easy to depict. Tennis coaches don't describe how to hold a racket or do a backhand return. They demonstrate it, and in living detail. Music teachers often correct their students by playing or singing what the students should have played or sung. And although it takes years for children to tell coherent stories, they have little trouble depicting stories in make-believe play. They readily enact Cookie Monster, Mother, cops and robbers--and play out what they do.



Depicting is also effective for emotion, excitement, and empathy. In telling stories and passing on gossip, people not only describe, but dramatize what the protagonists said and did, often with passion and attitude. And in apologizing, people not only say "Sorry" but add facial gestures that depict their regret.

The idea, then, is that depicting is a method of communication. Without depictions, talk would be flat, lifeless, and sometimes even impossible.

original source of the article can be found here

Tuesday, April 19, 2016

Innovative radio solution protects and preserves Chinese forests

We all know how important radio communications are, and Motorola Solutions have captured a massive coup by providing the radios for protecting the Chinese forests, a feather in the cap for Motorola because Hytera, their biggest competitor at the moment, originating from china, interesting! We found this article on this website.

Motorola Solutions (NYSE:MSI) with its channel partner Beijing Dyne Rcomm Technology are helping to keep China’s Hunan forestry region safe with a MOTOTRBO digital radio system that increases safety and security for employees while helping them to work more efficiently.



China’s Hunan province is rich in flora and fauna resources that are essential to the region’s economy. However, these vast areas which make up around 60 percent of the province’s total surface area can be risky places to work for forest rangers. Forest workers depend on reliable communications to be aware of potential bushfire risks and other emergencies.

The innovative radio system integrates MOTOTRBO digital two-way radios and repeaters, a dispatch console for centralised control and monitoring of the network at all times and Motorola Solutions’ IP Site Connect digital solution to extend radio network coverage over the internet throughout the counties and cities.

“Rangers depend on access to clear and reliable communications. They need to stay constantly connected to their colleagues working in control rooms who have visibility of the entire operation and can help to keep them safe at all times,” said Michael Jiang, China President and Country Manager, Motorola Solutions.

“It’s absolutely essential for forest rangers to know where their co-workers and resources are at all times, especially in times of emergency.

“Hunan’s new radio network provides extensive coverage throughout the region, enabling rangers working across a wide geographic area to report the very first signs of fire so that resources can be deployed quickly and effectively to protect lives and natural resources,” Mr Jiang said.

Hunan’s integrated system connects the surrounding cities and counties through clear voice communications enhanced with noise cancelling features that perform reliably in the nosiest environments. This system also supports data transfer across the radio network, using GPS to pinpoint the location of nearby team members and resources in emergency situations, while text messages and automatic alerts can be sent between the province’s central control room and radio users in the field.

Motorola Solutions has now deployed more than 5,000 radios to major forestry projects across greater China at locations including the Inner Mongolia, Hebei, Liaoning, Sichuan and Guangdong provinces.